And so it was that later
As the Miller told his tale
That her face, at first just ghostly
Turned a whiter shade of pale
She said there is no reason
And the truth is plain to see
But I wandered through my playing cards
And I would not let her be
One of the sixteen vestal virgins
Who were leaving for the coast
And although my eyes were open
They might just as well've been closed
And so it was that later
As the Miller told his tale
That her face, at first just ghostly
Turned a whiter shade of pale
music: Matthew Fisher & Gary Brooker
lyrics: Keith Reid
From: La Luna: non-European version (2000)
and The very best of 1990-2000
(2001).
The song also appears on the Chinese version of
Classics (2002?).
and on: Live from Las Vegas (2004).
Source of the lyrics: the CD-booklet, with many thanks to Loo Jiaming.
On this page furthermore:
> background of the song
> other versions by/from
Sarah
A part of the melody is based on the Johann Sebastian Bach's Cantata 140, also known as "Sleepers Awake" [the original German title is Wachet auf, ruft uns die Stimme], which is Bach's transcription of the fourth movement of the Cantata of the same name. More so, however, the song is based on Bach's "Air for G String": if you hear that, you certainly recognise "A Whiter Shade of Pale", but it is different enough to say that Procol Harum's song is more than an adaptation of Bach's "Air for G String".
This page on the ProcolHarum.com site gives background information on "A Whiter Shade of Pale". See also this page at BachFaq.org and this page at Classical.net for some info.
[Thanks especially to Paul Dietrich and also to Jeroen van Gent for info and help.]
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