Loreena McKennitt - Live in San Fransicso: all lyrics

The original studio recordings are on:
*) The mask and mirror
**) Elemental      ***) The visit

1./1. The mystic's dream

A painting hangs on an ivy wall
Nestled in the emerald moss
The eyes declare a truce of trust
Then it draws me far away
Where deep in the desert twilight
Sand melts in pools of the sky
Darkness lays her crimson cloak
Your lamps will call me home

And so it's there my homage's due
Clutched by the still of the night
Now I feel you move
And every breath is full
So it's there my homage's due
Clutched by the still of the night
Even the distance feels so near
All for the love of you

A clouded dream on an earthly night
Hangs upon the crescent moon
A voiceless song in an ageless light
Sings at the coming dawn
Birds in flight are calling there
Where the heart moves the stones
It's there that my heart is longing
All for the love of you

2./2. Santiago

3./3. She moved through the fair

She stepped away from me
And she moved through the Fair
And fondly I watched her
Move here and move there
She went her way homeward
With one star awake
As the swans in the evening
Move over the lake.

The people were saying
No two e'er were wed
But one has a sorrow
That never was said
And she smiled as she passed me
With her goods and her gear
And that was the last
That I saw of my dear.

I dreamed it last night
That my true love came in
So softly she entered
Her feet made no din
She came close beside me
And this she did say
It will not be long love
Till our wedding day.

4./4. Between the shadows

--/5. Stolen Child

Chorus:
Come away, oh human child
To the waters and the wild
With a fairy hand in hand
For the world's more full of weeping
Than you can understand.

Where the wave of moonlight glosses
The dim grey sands with light
By far off furthest Rosses
We foot it all the night
Weaving olden dances
Mingling hands and mingling glances
Till the moon has taken flight
To and fro we leap
And chase the frothy bubbles
While the world is full of troubles
And is anxious in its sleep.

Chorus

Where the wandering water gushes
From the hills above Glen-Car
In pools among the rushes
That scarce could bathe a star
We seek for slumbering trout
And whispering in their ears
Give them unquiet dreams
Leaning softly out
From ferns that drop their tears
Over the young streams.

Chorus

Away with us he's going
The solemn-eyed
He'll hear no more the lowing
Of the calves on the warm hillside
Or the kettle on the hob
Sing peace into his breast
Or see the brown mice bob
Round and round the oatmeal chest.

For he comes, the human child
To the waters and the wild
With a fairy hand in hand
For the world's more full of weeping
Than you can understand.

--/6. The Dark Side of the Soul

Shrouded by the night
and by the secret stair I quickly fled
The veil concealed my eyes
while all within lay quiet as the dead

Chorus
Oh night thou was my guide
oh night more loving than the rising sun
Oh night that joined the lover
to the beloved one
transforming each of them into the other

Upon that misty night
in secrecy, beyond such mortal sight
Without a guide or light
than that which burned so deeply in my heart

That fire t'was led me on
and shone more bright than of the midday sun
To where he waited still
it was a place where no one else could come

Chorus

Within my pounding heart
which kept itself entirely for him
He fell into his sleep
beneath the cedars all my love I gave
And by the fortress walls
the wind would brush his hair against his brow
And with its smoothest hand
caressed my every sense it would allow

Chorus

I lost myself to him
and laid my face upon my lovers breast
And care and grief grew dim
as in the mornings mist became the light
There they dimmed amongst the lilies fair
There they dimmed amongst the lilies fair
There they dimmed amongst the lilies fair

--/7. Marrakesh Night Market

Would you like my mask?
would you like my mirror?
cries the man in the shadowing hood
You can look at yourself
you can look at each other
or you can look at the face, the face of your god

The stories are woven
and fortunes are told
The truth is measured by the weight of your gold
The magic lies scattered
on rugs on the ground
Faith is conjured in the night market's sound

Would you like my mask?
would you like my mirror?
cries the man in the shadowing hood
You can look at yourself
you can look at each other
or you can look at the face, the face of your god

The lessons are written
on parchments of paper
They're carried by horse from the river Nile
says the shadowy voice
In the firelight, the cobra
is casting the flame a winsome smile

Would you like my mask?
would you like my mirror?
cries the man in the shadowing hood
You can look at yourself
you can look at each other
or you can look at the face, the face of your god

5./8. The Lady of Shalott

Note:
All stanzas of the original (studio) version on The Visit are given, though Loreena does not perform all stanzas in this life version. The four lines in italics at the end are given in the CD-booklet of The Visit but not sung.

On either side the river lie
Long fields of barley and of rye,
That clothe the wold and meet the sky;
And trho' the field the road run by

To many-towered Camelot;

And up and down the people go,
Gazing where the lilies blow
Round an island there below,

The island of Shalott.

Willows whiten, aspens quiver,
Little breezes disk and shiver
Thro' the wave that runs for ever
By the island in the river

Flowing down to Camelot.

Four grey walls, and four grey towers,
Overlook a space of flowers,
And the silent isle imbowers

The Lady of Shalott

Only reapers, reaping early,
In among the beared barley
Hear a song that echoes cheerly
From the river winding clearly,

Down to tower'd Camelot;

And by the moon the reaper weary,
Piling sheaves in uplands airy,
Listing, whispers "'tis the fairy

The Lady of Shalott."

There she weaves by night and day
A magic web with colours gay.
She has heard a whisper say,
A curse is on her if she stay

To look down to Camelot.

She knows not what the curse may be,
And so she weaveth steadily,
And little other care hath she,

The Lady of Shalott.

And moving through a mirror clear
That hangs before her all the year,
Shadows of the world appear.
There she sees the highway near

Winding down to Camelot;

And sometimes thro' the mirror blue
The Knights come riding two and two.
She hath no loyal Knight and true,

The Lady of Shalott.

But in her web she still delights
To weave the mirror's magic sights,
For often thro' the silent nights
A funeral, with plumes and with lights

And music, went to Camelot;

Or when the Moon was overhead,
Came two young lovers lately wed.
"I am, half sick of shadow," she said,

The Lady of Shalott.

A bow-shot from her bower-eaves,
He rode between the barley sheaves,
The sun came dazzling thro' the leaves,
And flamed upon the brazen greaves,

Of bold Sir Lancelot.

A red-cross knight for ever kneel'd
To a lady in his shield,
That sparkled on the yellow field,

Beside remote Shalott.

His broad clear brow in sunlight glow'd;
On burnish'd hooves his war-horse trode;
From underneath his helmet flow'd
His coal-black curls as on he rode,

As he rode down to Camelot.

And from the bank and from the river
He flashed into the crystal mirror,
"Tirra lirra," by the river

Sang Sir Lancelot.

She left the web, she left the loom,
She made three paces thro' the room,
She saw the water-lily bloom,
She saw the helmet and the plume,

She look'd down to Camelot.

Out flew the web and floated wide;
The mirror crack'd from side to side;
"The curse is come upon me," cried -- photo

The Lady of Shalott.

In the stormy east-wind straining,
The pale yellow woods were waning,
The broad stream in his banks complaining.
Heavily the low sky raining

Over tower'd Camelot; -- photo

Down she cam and found a boat
Beneath a willow left afloat,
And round the prow she wrote

The Lady of Shalott.

Down the river's dim expanse
Like some bold seer in a trance,
Seeing all his own mischance -
With a glassy countenance

She looked to Camelot.

And at the closing of the day
She loosed the chain, and shown she lay;
The broad stream bore her far away,

The Lady of Shalott.

Heard a carol, mournful, holy,
Chanted loudly, chanted slowly,
Till her blood was frozen slowly,
And her eyes were darkened wholly,

Turn'd to tower'd Camelot.

For ere she reach'd upon the tide
The first house by the water-side,
Singing in her song she died,

The Lady of Shalott.

Under tower and balcony,
By garden-wall and gallery,
A gleaming shape she floated by,
Dead-pale between the houses high,

Silent into Camelot.

And out upon the wharfs they came,
Knight and Burgher, Lord and Dame,
And round the prow they read her name,

The Lady of Shalott.

Who is this? And what is here?
And in the lighted palace near
Died the sound of royal cheer;
They crossed themselves for fear,

The Knights at Camelot;

But Lancelot mused a little space
He said, "she has a lovely face;
God in his mercy lend her grace,

The Lady of Shalott

But who hath seen her wave her hand?
Or at the casement seen her stand?
Or is she known in all the land,
The Lady of Shalott?

6./9. The bonny swans

Oh sister, oh sister, pray lend me your hand
with a hey ho a bonny o
And I will give you house and land
the swans swim so bonny o
I'll give you neither hand nor glove
with a hey ho a bonny o
Unless you give me your own true love
the swans swim so bonny o

Sometimes she sank, sometimes she swam
with a hey ho and a bonny o
Until she came to a miller's dam
the swans swim so bonny o

The miller's daughter, dressed in red
with a hey ho and a bonny o
She went for some water to make some bread
the swans swim so bonny o

Oh father, oh daddy, here swims a swan
with a hey ho and a bonny o
It's very like a gentle woman
the swans swim so bonny o
They placed her on the bank to dry
with a hey ho and a bonny o
There came a harper passing by
the swans swim so bonny o

He made harp pins of her fingers fair
with a hey ho and a bonny o
He made harp strings of her golden hair
the swans swim so bonny o
He made a harp of her breast bone
with a hey ho and a bonny o
And straight it began to play alone
the swans swim so bonny o

He brought it to her father's hall
with a hey ho and a bonny o
And there was the court, assembled all
the swans swim so bonny o
He laid the harp upon a stone
with a hey ho and a bonny o
And straight it began to play lone
the swans swim so bonny o

And there does sit my father the King
with a hey ho and a bonny o
And yonder sits my mother the Queen
the swans swim so bonny o
And there does sit my brother Hugh
with a hey ho and a bonny o
And by him William, sweet and true
the swans swim so bonny o
And there does sit my false sister, Anne
with a hey ho and a bonny o
Who drowned me for the sake of a man
the swans swim so bonny o

--/10. Prospero's Speech

Or sent to Napels. Let me not,
Since I have my dukedom got
And pardoned the deceiver, dwell
In this bar island by your spell;

But release me from my bands
With the help of your good hands.
Gentle breath of yours my sails
Must fill, or else my project fails,

Which was to please. Now I want
Spirits to enforce, art to enchant;
And my ending is despair,
Unless I be relieved by prayer,

Which pierces so that it assaults
Mercy itself and frees all faults.
As you from your crimes would pardon'd be,
Let your indulgence set me free.

From: Live in San Francisco at the Palace of Fine Arts (1995)
see the separate lyrics pages for the authors of the lyrics.

 
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last modified: 25 May 2010